![]() In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil. This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. ![]() ![]() Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their studio albums, official remixes, live performances, and other works released between 19.ĭue to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. 1.4 Until The End Of The World (soundtrack) (1991).It is unclear if the sample was used in the specified song. The sample is confirmed to not have been used in the specified song. The sample is not yet confirmed to have been used in the specified song. The sample is likely to have been used in the specified song but has not yet been confirmed. The sample is independently confirmed to have been used in the specified song. The sample is confirmed to have been used in the specified song by a past/present member of Depeche Mode, an individual involved in its production, or band archivist Daniel "BRAT" Barassi. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group. Among the thousands of original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. As pioneers of the electronic music genre in the early 1980s, Depeche Mode were among the most prolific acts to make use of sampling technology within a traditional pop music format. In audio production, sampling refers to the use of a portion (or sample) from a sound recording within another recording. If you wish to discuss or dispute this change, or inquire as to what steps must be taken to resolve this issue, please do so on this article's talk page. This article is excessively long and needs to be condensed or divided into smaller articles. For sample sources used on Recoil works, see Recoil sample sources. For sample sources used on Depeche Mode songs recorded between 2000 and the present day, see Depeche Mode sample sources 2000-present. For sample sources used on Depeche Mode songs recorded between 19, see Depeche Mode sample sources 81>85. This article is about the various sample sources used on Depeche Mode songs recorded between 19.
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